Project Statement
By the mid-1960s, 0.7% of the Irish population were held in psychiatric hospitals. Ireland remains the country with the highest number of patients in psychiatric hospitals per capita at any one time in world history.
These institutions had a profoundly labyrinthine ability for loss and neglect, meaning that many patients spent far too long in inappropriate conditions.
The walls of a psychiatric hospital carved out a self-sufficient ‘otherworld’, this being the primary method of treatment. Cast on these walls is the experience of the thousands of people who passed through or, all too commonly, within these institutions.
Now that they’re gone, these histories face a new form of confinement in archives. My work is firmly based and justified through this archival and written research, translating the emotionality of the history of Irelands everyday.
The large-scale institutions of Ireland’s past are gone, but the effects can still be felt.
Goal
It is my hope that my print and continued sculptural ceramic work will make this massive part of Irish social history more accessible. For far too long, thousands of people were held behind bolted doors in inappropriate conditions. Thousands of people were cut away from society, danced around in conversation regarding reform and kept as open secrets.
And now that they’re gone, this history has found a new form of confinement, in the form of books, research papers and theses. Things that most of the general public will not happen upon or connect with in the same way that artwork is capable of.
I hope that this project helps drop the barrier between contemporary conversations and how we see our history.
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